2001-02 Charles River Review: Variations on Blue: Six Paintings

The blue in the first
is pure cerulean:
the Maine sky
rinsed clear by ocean.

The second's two panels
are a study in contrasts:
soft early morning blue,
deep purple-blue of dusk.

Third, a view of woods:
the dark Prussian blue
of spaces between trees;
a feeling of being lost.

A forlorn blue-gray house
in the fourth; a child
could have painted it,
asked to describe loneliness.

Next, an interior:
the child's room?
An open door, cobalt blue.
No one comes in.

In the last,
the air is blue with loss;
jagged shards of grief
pile up at the bottom.



	THE HARVARD EXTENSION SCHOOL WRITING PROGRAM PREVIOUS \| CONTENTS \| NEXT Variations on Blue: Six Paintings Mary Ellen Geer The blue in the first is pure cerulean: the Maine sky rinsed clear by ocean. The second's two panels are a study in contrasts: soft early morning blue, deep purple-blue of dusk. Third, a view of woods: the dark Prussian blue of spaces between trees; a feeling of being lost. A forlorn blue-gray house in the fourth; a child could have painted it, asked to describe loneliness. Next, an interior: the child's room? An open door, cobalt blue. No one comes in. In the last, the air is blue with loss; jagged shards of grief pile up at the bottom. PREVIOUS \| TOP \| CONTENTS \| NEXT

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